Partners In Design

1.07.2009

Hide & Seek: HBO's 'Big Love' Campaign

On my way down the cavernous, underground path from NYC's Port Authority to the 7 Train, I suddenly found myself brought to an abrupt halt. I looked to my left, as angry and wet New Yorkers grumbled at my firm planting on the path, and saw a peculiar eye level billboard. To the left, I immediately recognized the iconic 'Big Love' logo for HBO's hit show about a polygamist family, but the Ad did not contain hero shots of the cast. Instead it contained a series of photography showing various street scenes and people going about their everyday lives. Above each person was an icon of a headphone and the message 'Plug-In'. Each person had a jack in which anyone with a headphone could easily plug themselves in and listen to each one's secret. As the campaign states 'Everyone has something to hide.'



In one of the secrets a voice says, “If my family knew I was looking at these magazines, oh my my.” In another, a woman is heard wondering if she can get away with stealing a lunch from the office refrigerator.

This aspect of the campaign, driven by the agency BBDO North America, was driven by the show's underlying theme of 'Secrets' and what each of the characters have to hide. According to reports, these type of campaigns (Which HBO is no stranger to) are meant to generally gain buzz through the dissection viewers have on the curious campaigns to gain buzz via word of mouth and blogging.

The microsite ,hbo.com/biglove/webofsecrets features confessions from the “Big Love” characters and from regular people trying to get something off their chest. The site also receives outside submissions anonymously. In terms of catching viewers up with the show's charachters, the site offers insight such as: Nicki, the wife played by Chloe Sevigny, who has had major credit issues admits to such. Margene, the wife played by Ginnifer Goodwin, admits to hiding her lifestyle to her mother and that Bill, the patriarch played by Bill Paxton, took on a russian mistress.



In addition to the current pushes, HBO and their agencies plan on another large stunt of advertising on January 14th in the cities of New York City, Philadelphia, Los Angeles, and Chicago. Each city will feature 150 people wearing cartoon though bubbles that express a particular secret they've been hiding from everyone around them. The featured people have been told not to speak to anyone, but instead hand them a flier containing an AD for 'Big Love'.

I have to say, This campaign is really starting to impress me. The first ad push, which wasn't nearly as inspired with the photography of the principal cast was even enough to have me sit down in front of the tube and watch all two previous seasons in the course of 2 days. I have to send out major kudos to the people behind the decision making at HBO, because all of their campaigns have been interesting, inspired, and forward moving. I thought 'True Blood's fake beverage push was brilliant, but now they're really moving strong on this one.

1.06.2009

Redesigning Monopoly

Creation of Andy Mangold



Hmm.

The view outside my office door is confusing.

Macbook Wheel


Apple Introduces Revolutionary New Laptop With No Keyboard

Way too amusing.

B is for Beguez Version 10.0

I just redesigned the entire site. Still working out some of the kinks (including making the blog match with hand-drawn letter goodness), so be patient with me. The Shop section will be open later this month, but the Comics section is ready to go with Alien Raver from the beginning.

1.05.2009

Elastic Growth

Artist Spotlight: ALINA URUSOV

Haven't done one of these in a while, so figured I'd go ahead and ring in the new year with a spotlight on another up and coming comic book artist for 2009. This particular spotlight will also act as a bit of a comparison piece, as this artist has some striking and curious stylistic similarities to another one of my favorite comic artists. So on with some more on Alina Urusov:

Alina Urusov, a Russian native now residing in Canada, is relatively new to the comic book scene but not to the media world. Previous to her work on Marvel's popular reboot of the James Middleton/Joe Quesada Hit, NYX, Alina was working on special effects work for the 'Boondocks' television series. Alina has just now begun her venture into comic books, working on mostly cover work and some interior work on upcoming Marvel Comics titles such as 'X-Force'. Alina sites among her influences Gustav Klimt, Joshua Middleton (More on that later), and Claire Wendling.

Below is some of her work:







I think it's safe to say after seeing her samples, that she is heavily 'influenced' by her stated favorite artists. Now I want to leave a discussion open to everyone reading.. How far does an artist go before an influence becomes a direct rip off of their personal style? To add some fuel to the conversation, below are some samples of Joshua Middleton's work:




The Snuggie. Satire or Satanic?

During this holiday season, I'm sure everyone had a lot more time to catch up with friends, family, pets, book reading, and more importantly, TELEVISION. I for one definetly got a chance to catch up on some good ol tube watching. One common thread I found on both primetime and daytime television was the most frightening, cultish, and evil commercials known to man. At least right now.



So what is this snuggie? Why has it's influence rendered blanket wearers so trapped inside a simple piece of fabric? And why do they all look like they're about to sacrifice some virgin for their beloved demon monster from hell?

Thoughts?

ALIEN RAVER - PART ONE


Behold Alien Raver! New installments every Tuesday, only on my blog.

12.31.2008

Candy

Conduit...

12.26.2008

Wrap your head around this one

I originally posted this rant on NYC GRID. It seemed appropriate for here...



Now, I have no major qualms with Duane Reade. Sure, they probably aren't the most-loved business around. But when I need Advil, pencils and a 99 cent can of fruit juice (for entirely separate reasons), I can rest assured I'm only a few blocks away from fulfilling those needs, regardless of the time of day. I think just about everyone can get on the same page about DR being a fairly mediocre shopping experience. The harsh (often dirty) environment, the ugly (old) logo, the inattentive staff- they all add up to your typical Duane Reade experience. And that's fine. We've come to expect it, we live in New York. But now they go and throw us a curve ball like this.

This is not a defense of the old logo, and I also don't expect Duane Reade to push the boundaries of modern identity design and come up with something that makes us rethink our life direction. In fact, I applaud their decision to freshen up their image. But this damn thing is a mess. This mixture of sans and serif faces, complete with upper and lowercase confusion all wrapped up in a nice cliché circle create for a critics dream.

Let's start with the "DR" mark. Two capital letters in a circle. Fine. It's nothing new, but it normally wont offend anyone. Except what the hell is with how the "D" intersects with the circle? Of ALL the ways one could choose the execute that, they pick the one that creates a plethora of uncomfortable angles and flat edges. To make matters worse, the leg of the R is free to escape the tyranny of said circle. Why? Don't even get me started with the thicks and thins of all the lines in the mark. It's so wishy-washy.

Then, of course, we have the written out "Duane Reade" text, which is stylized as one word (no spaces) with DUANE in all sans caps and reade all serif lowercase. It's a messy execution simply to remove a space, but OK, I'll bite. Except for one issue: why do they allow the "R" in the previously-mentioned logo mark exist as uppercase, while in the written out logo, the word is rendered in lower? No clue.

All that being said, the store itself was quite nice. Roomy layout, well-stocked, clean, and a great pharmacy section near the front.

The Wave of the future


I had seen this a while ago and although I do not know who's rendition this is... it is from the original print of Hokusai’s The Great Wave off Kanagawa.

12.23.2008

Miss Tea

12.22.2008

Ambitions






So when I was younger I had a love for photography and while my love of photography remained the same, my passion for taking photos dissipated, until recently. I'm interested in taking a photography course in the near future (a focus on 35mm film) and wanted critiques on some of my work to get started. So I ask the peanut gallery...what do you think?